Spells charms erotic dolls love magicSpells charms erotic dolls love magic

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It was a well-kept secret among historians during the late 19th and early 20th centuries that the practice of magic.

widespread in the ancient Mediterranean. Historians wanted to keep the activity low-key because it did.

their idealized view of the Greeks and Romans. Today, however, magic is a legitimate area of scholarly.

providing insights into ancient belief systems as well as cultural and social practices.

While magic was discouraged and sometimes even punished in antiquity, it thrived all the same. Authorities publicly.

condemned it, but tended to ignore its powerful hold. Charms Erotic love Magic

Erotic hexes were a popular form of magic. Professional magic practitioners charged fees for writing erotic charms,

making enchanted dolls (sometimes called poppets), and even directing curses against rivals in love.

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Magic is widely attested in archaeological evidence, spell books, and literature from both Greece and Rome, as well

as Egypt and the Middle East. The Greek Magical Papyri, for example, from Graeco-Roman Egypt, is a large collection,

of papyri listing hexes for many purposes. The collection was compiled from sources dating from the second century

BC to the fifth century AD, and includes numerous Rituals of attraction.

Read more: In ancient Mesopotamia, sex among the gods shook heaven and earth

Some hexes involve making dolls, which were intended to represent the object of desire (usually a woman who was

either unaware or resistant to a would-be admirer). Instructions specified how an erotic doll should be made, what

words should be said over it, and where it should be deposited. charms erotic dolls love magic

Such an object is a form of sympathetic magic; a type of enchantment that operates along the principle of “like affects

like”. When enacting sympathetic magic with a doll, the caster believes that whatever action is performed on it 

be it physical or psychic – will be transferred to the human it represents.

The best preserved and most notorious magical doll from antiquity, the so-called “Louvre Doll” (4th century AD),

depicts a naked female in a kneeling position, bound, and pierced with 13 needles. Fashioned from unbaked clay, the

doll was found in a terracotta vase in Egypt. The accompanying hex, inscribed on a lead tablet, records the woman’s

name as Ptolemais and the man who made the hex or commissioned a magician to do so, as Sarapammon.

Violent, brutal language

The ritual that accompanied such dolls and, indeed, the spells from antiquity on all manner of topics, were not mild in

the language and imagery employed. Ancient hexes were often violent, brutal, and without any sense of caution or

remorse. In the hex at comes with the Louvre Doll, the language is both frightening and repellent in a modern

context. For example, one part of the hex directed at Ptolemais reads:

Such language is hardly indicative of any emotion about love, or even attraction. Especially when combined with

the doll, the hex may strike a modern reader as obsessive (perhaps reminiscent of a stalker or online troll) and even

misogynistic. Indeed, rather than seeking love, the intention behind the hex suggests seeking control and domination. Such were the gender and sexual dynamics of antiquity.

But in a masculine world, in which competition in all aspects of life was intense, and the goal of victory was paramount.

violent language was typical in Hex about anything from success in a court case to the rigging of a chariot

race. Indeed, one theory suggests that the more ferocious the words, the more powerful and effective the spell.

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